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Critics compared it to the visuals of various 1990s female recording artists and praised her creative evolution, particularly the choreography. Fatima Robinson directed the music video for "No", which features Trainor performing choreographed dances in a warehouse and entwining her arms with accompanying female dancers. A cappella group Pentatonix released a cover version of "No" via their YouTube channel in April, which Trainor praised on Twitter. Lorena Blas of USA Today likened the choreography to the work of Missy Elliott, and Destiny's Child's music video for "Jumpin', Jumpin'" (2000). In another scene, Trainor, in a fishnet bodysuit, entwines her arms with the dancers, and brushes her cleavage; Evan Real of Us Weekly compared it to Spears' music video for "I'm a Slave 4 U" (2001). Dressed in a metallic silver jacket, she performs a choreographed dance routine with female backup dancers. Writing for ABC News, Allan Raible stated that though "No" is well-intentioned, it comes across as neoteric and is a diluted version of the Destiny's Child and En Vogue songs that precede it by several years. When asked about her inspiration for "No", she stated that she wanted to be better at being single, and wanted the song to help young women and teenagers realize they do not need a suitor, and that they "can go out with their girls and have just as much fun".
It is the opposite of the word yes, which is a positive term. No is an English word that has a negative meaning.
Music critics praised "No" as a showcase of Trainor's confident and mature side and deemed it an improvement from her earlier songs. A dance-pop song inspired by 1990s pop music and R&B, "No" has lyrics about sexual consent and empowerment, encouraging women to reject unwanted advances from men. It also reached the top 10 in Australia, Canada, Austria, Israel, Latvia, South Africa, and Scotland, attaining multi-platinum certifications in the former two and Poland. "No" (written in capital letters) is a song by American singer-songwriter Meghan Trainor from her second major-label studio album, Thank You (2016). Dennis Hinzmann of Out was critical of Trainor's dancing, noting the background dancers upstaged Trainor and made her look evasive.
Weekly Charts
She initially recorded music in a similar vein for her second major-label studio album, Thank You (2016). Trainor signed with Epic Records in 2014 and released her doo-wop debut single, "All About That Bass", to commercial success. It also reached the top 10 in Australia, Canada, Austria, Latvia, South Africa, and Scotland, attaining multi-platinum certifications in the former two and Poland. In the United States, the song reached number three on the Billboard Hot 100 and was certified 2× Platinum by the Recording Industry Association of America. Ricky Reed produced the song and wrote it with Trainor and Jacob Kasher Hindlin; Epic Records released it as the album's lead single on March 4, 2016. "No" (stylized in all caps) is a song by the American singer-songwriter Meghan Trainor from her second major-label studio album, Thank You (2016). These words are not to be confused with the similar sounding words know and knot. In both sentences and talking, the words "No" and the word "Not" can both be used, though the word "No" is mainly used when speaking to other people.
Fatima Robinson directed the music video for "No", which was filmed on the same day for the single. On the Canadian Hot 100, it reached number 10 and was certified 3× Platinum by Music Canada. Carvell Wallace of MTV News accused Trainor of appropriating the African-American accent, which she clarified was inspired by her father. The song discusses men who approach women and are unable to accept it when their advances are rejected. A 21-second sample of "No", a dance-pop song with guitar instrumentation on which Trainor decisively repeats the word "no" Epic Records digitally released it three days later, along with the preorder for the album. In December 2015, Trainor stated that she had almost completed her upcoming album, describing the material as "something that's not on the radio" and disparate. Reed recounted that they "never set out to specifically go after any particular sound", beginning the session with the idea of a dancehall-inspired rhythm.
Music Video
Real thought the video recalled "killer choreography and coordinated outfits" popular in the lmct+ casino login download early 2000s, which was new territory for Trainor. Critics compared the music video to artists including Spears, Destiny's Child, and Janet Jackson. It concludes with all previous scenes meshed with shots of women holding open flares. Black and red shots of a female silhouette are interspersed with the routine, which MTV News's Sasha Geffen deemed reminiscent of 1990s iPod commercials. In the music video, Trainor walks in an abandoned warehouse filled with smoke and old machines. Trainor aimed for it to be converse of her bright and colorful music video for "All About That Bass".